The photograph shows the 19th century village of Edfu in the foreground, and the façade of the Ptolemaic temple in the background. Based on the calligraphic style, the work can be attributed to Antonio Beato.
Photograph of the large colonnade of the Temple of Horus at Edfu seen from the southwest, with a glimpse of the colonnade on the eastern side of the courtyard in front of it. Based on the calligraphic style of the caption, it is possible to attribute the image to Antonio Beato.
The photograph shows a view of the west side of the colonnade from the courtyard in front of the entrance to the first hypostyle hall from the Temple of Horus at Edfu (on the right). Three egyptians are shown in front of the columns. Based on the calligraphic style of the caption, the shot can be attributed to Antonio Beato.
The photograph (same as the previous one) shows a view of the west side of the colonnade of the courtyard in front of the entrance to the first hypostyle hall from the Temple of Horus at Edfu, on the right. Three egyptians are shown in front of the columns. Based on the calligraphic style of the caption, the shot can be attributed to Antonio Beato.
The photograph shows a view of the colonnade of the hypostyle hall from the Temple of Horus at Edfu. Based on the calligraphic style of the caption, it is possible to attribute the image to Antonio Beato.
The photograph shows a detail of the inscriptions on the rear exterior wall of the Temple of Horus at Edfu. On the basis of the calligraphic style, the image can be traced back to Antonio Beato.
The photograph depicts the exterior of the north perimeter wall of the Temple of Horus at Edfu, where sacred scenes of presenting offerings to the gods are carved. Based on the calligraphic style, the photograph can be attributed to Antonio Beato.
In the foreground there are some dwellings from the village of Edfu near the Ptolemaic temple, which can be seen in the background on the right. On the left, in the background, there is a mosque, which can be identified by its minaret. The calligraphic style of the caption on the back can be attributed to Antonio Beato.